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Tag Archives: Doug Moench
1990s’ Batman comics reading guide – part 1
Legends of the Dark Knight #69 I’ve mentioned plenty of times in this blog how one of my favorite eras of Batman comics took place in the 1990s when, under the group editorship of Dennis O’Neil, the various titles in … Continue reading
Posted in BATMAN COMICS FOR BEGINNERS
Tagged Alan Grant, Alan Moore, Andrew Helfer, Archie Goodwin, Arthur Ranson, Batman's personality, Brian Bolland, Chuck Dixon, Cold War, Darwyn Cooke, Dave McKean, David Mazzucchelli, Denny O'Neil, Denys Cowan, Doug Moench, Frank Miller, Grant Morrison, horror, J.J. Birch, James Owsley, Jeph Loeb, Jim Aparo, Jim Starlin, Joe Staton, Joey Cavalieri, John Byrne, John Ostrander, Kim Yale, Luke McDonnell, Mark Pacella, Mike Hoffman, Mike Mignola, Mindy Newell, Neil Gaiman, Norm Breyfogle, reading order, Tim Sale
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Gotham books for the current times
As the coronavirus pandemic continues to spread, I keep hearing people claiming that this all feels like a movie. They’re probably thinking of medical disaster dramas like 1995’s Outbreak or 2011’s Contagion (Jason Read wrote a few insightful remarks about … Continue reading
Posted in BATMAN COMICS FOR BEGINNERS
Tagged Alan Grant, Arkham Asylum, Chuck Dixon, Dan Slott, Denny O'Neil, Dick Giordano, Doug Moench, espionage, Gary Frank, Gotham City, Greg Land, horror, Jennifer Graves, Jordan B. Gorfinkel, Kelley Jones, Lee Loughridge, Matt Haley, politics, Ryan Sook, Steffano Raffaele, Tommy Lee Edwards
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Batman comics and gun control
The Batman Adventures #28 While gun control has certainly been a running theme in Batman comics throughout the ages, their relationship with this issue is not as straightforward as some seem to think. I don’t mean Batman’s relationship with gun … Continue reading
Posted in POLITICS OF BATMAN COMICS
Tagged Ann Nocenti, Batman's personality, Brian Bolland, Chuck Dixon, Darwyn Cooke, Devin Grayson, Doug Moench, Ed Brubaker, Ethan van Sciver, Frank Miller, Geoff Johns, guns, John Floyd, John Ostrander, Kim Yale, Norm Breyfogle, politics, Roger Robinson, Scott McDaniel, Ty Templeton, Vince Giarrano
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On the periphery of Batman’s rogues’ gallery
This is Gotham Calling’s 300th post! I usually take these occasions to celebrate the richness and weirdness of Batman’s extensive rogues’ gallery, which includes all sorts of odd criminals, ranging from iconic characters like the Joker and the Penguin all … Continue reading
Posted in GOTHAM CITIZENS
Tagged Adrienne Roy, Alan Grant, Batman's personality, Bill Finger, Bob Kane, Calendar Man, Chuck Dixon, Crazy-Quilt, Doug Moench, France Herron, Gene Colan, George Roussos, Grant Morrison, Jack Kirby, Jerry Robinson, Jim Mooney, Joe Giella, Kevin Smith, Len Wein, Mike Deodato, Mikel Janín, Pat Broderick, Paul Dini, Rick Hoberg, Robert Kanigher, Ryan Benjamin, Scott Snyder, Sheldon Moldoff, Silver Age, Tim Sale, Tom King, Tony Daniel, villains, Walt Simonson
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Chuck Dixon’s grounded Batman
Chuck Dixon has written hundreds of Batman comics. On top of his lengthy run in Detective Comics (1992-1999), he penned his fair share of Catwoman and Legends of the Dark Knight issues, having also pioneered the ongoing series Robin and … Continue reading
Batman comics on drugs – part 1
Drugs have traditionally played a substantial role in Batman comics (hell, in the whole medium). The Dark Knight has put away his share of drug dealers – from run-of-the-mill villains (your prototypical crime fiction trope) to the kind of outlandish … Continue reading
The despicable pre-Crisis Man-Bat
Man-Bat isn’t one of the most inspired concepts in Batman comics. Taking to the extreme the notion that great villains are an inversion of the heroes, Man-Bat’s name is a literal reversal of Batman’s… As for his origin, it’s just … Continue reading
Posted in GOTHAM CITIZENS
Tagged Bob Haney, Chuck Dixon, Dick Giordano, Don Newton, Doug Moench, Flint Henry, Frank Robbins, horror, Jamie Delano, John Bolton, Kelley Jones, Man-Bat, Neal Adams
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On prison breaks
Part of the general appeal of superhero comics is seeing how different creators face the challenges posed by the tight formulas. Some writers and artists manage to work their way around genre restrictions, others hang an amusing lampshade on them, … Continue reading