Tag Archives: Mike Esposito

COMICS CAN BE AWESOME (22 July 2024)

This week, one more tribute to the underappreciated fusion subgenre of superhero horror:

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COMICS CAN BE AWESOME (3 June 2024)

…and today’s reminder that comics can be awesome is a tribute to the trippiness of old Marvel covers!

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COMICS CAN BE AWESOME (27 May 2024)

Today’s reminder that comics can be awesome is a tribute to the trippiness of old DC covers…

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COMICS CAN BE AWESOME (8 April 2024)

This week’s reminder that comic books can be awesome is yet another tribute to Carmine Infantino’s talent for cover composition:

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COMICS CAN BE AWESOME (12 February 2024)

Pre-Crisis Wonder Woman comics (from the 1940s to the 1980s) were marked by constant experimentation. Perhaps unsure about what to do with the character, creators kept throwing her into all sorts of genres, from war to fantasy, from adventure to … Continue reading

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COMICS CAN BE AWESOME (25 July 2022)

A reminder that comic book covers can be awesome, Silver Age The Flash edition:  

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Anatomy of World’s Finest Comics #191

When it comes to superhero comics – and Batman stories in particular – there tends to be a division among fans between those who privilege more lighthearted fantasy and those who favor grim-and-gritty aesthetics or narratives with literary affectations. I … Continue reading

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COMICS CAN BE AWESOME (25 October 2021)

With Halloween just around the corner, this is usually the time of the year to share some thoughts about horror… When it comes to cinema and television, one of the most vibrant trends in recent years has been labelled Prestige … Continue reading

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COMICS CAN BE AWESOME (8 June 2020)

One of the reasons this section of the blog went weekly a couple of months ago was as a way to encourage those who could to stay at home in order to help contain the covid-19 pandemic. Now is the … Continue reading

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When Batman comics meet the boxing world

While I don’t particularly care for boxing in real life, I’m a huge sucker for boxing in fiction. I’m a fan of Brian De Palma’s Snake Eyes and Raoul Walsh’s Gentleman Jim. Hell, Robert Wise’s The Set-Up is up there … Continue reading

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